“Hollywood” has always seemed to be a world away from the rest of us that are still in tune with real life and normalcy. Especially during the pandemic, when all kinds of celebrities were hopping on the high horse to preach to us normal people to make questionable decisions, they seemed as out of touch as ever. To this writer, the Writer’s Guild and SAG-AFTRA strikes are a sign that they keep drifting farther and farther away from reality. From New York to Los Angeles, these people are showing the madness and greed within their industry.
First of all, these two strikes have been going on for 4 and 2 months respectively. With that time period, the strikers must be fairly well off enough to be okay not working. Which seems counter intuitive, as part of the reasons for the strikes is to negotiate better compensation from streaming services and to restrict the use of artificial intelligence in writing and production. Which, on the face of it, seem like reasonable requests. There should probably be some good discussions going on about those two issues. It shouldn’t be a big enough issue that they try to completely stop the TV and movie industry.
The other side of this is how the couple of folks who are trying to keep working, whether they need to or want to, are getting bullied by the rest of the unions as well as groups outside of those unions. Drew Barrymore and Bill Maher, among others, have both recently announced that they would start working again, without replacing the writers on strike or their elements of the shows, and have both decided against it. These folks have other people who are not in the unions that work on their shows, but can not try to get them paid because of pressure from the strikes. Drew Barrymore was even dropped as a host for the National Book Awards because of the strike.
At the end of the day, SAG-AFTRA represents around 160,000 professionals and the Writer’s Guild 11,500. The ability to find a deal that pleases everyone has got to be very nearly impossible. How many people will actually benefit from negotiations out of the 170,000+ represented? How many of those are actually suffering because they aren’t as well off as their more famous or successful peers? There has to be a better way to function.
At the end of the day, one can stay with the unions, and hope for the best. This writer is under the impression that these giant unions and giant singular trade associations may not be great for business. Sure, there may not be much alternative when historically the industry has always been controlled by behind-the-scenes special interest groups operating in various shades of legality. That shouldn’t stop the people involved with saying “Maybe this isn’t a great idea anymore.” And I think whoever can pioneer the split or breakdown of these groups would eventually serve as the inspiration for a great movie one day.
Sources:
https://en.wikipedia.org/wiki/2023_SAG-AFTRA_strike
https://en.wikipedia.org/wiki/Alliance_of_Motion_Picture_and_Television_Producers
https://en.wikipedia.org/wiki/2023_Writers_Guild_of_America_strike